Symbol of the times: that nobody cared, that everybody erased from their heads, no less than their hearts, the question of meaning. Someone said
Things are becoming disjointed.... There is
No more standard. He was right, but he wasn’t right
The way he sauntered away from me, all perky and seemingly with good cheer. To not resent the man
It was impossible. Still, he taught me a thing or two about the times: that it is deteriorating, the decay
Is coming quick, that there is no reversing
The trouble inherent in living as a strange being,
Being stranger than the strangest thing,
That when we tell the story to our posterity
They will laugh at us with solemn laughter.
That there will be a saint of a woman who will cry all the same for the world, that the world will not listen to her despite her tears and lamentations, that she will be decried as a madwoman with mad complaints.
You believed it because you had to believe; because there was no option but to believe in the erasure of belief. Everything has become
Disjointed for no other reason than reason itself,
Its demands have grown weary of themselves,
Ate themselves up alive, so that the only thing that survived were a few slender remnants of human and biological prosperity:
Bipedal form to stand up tall and look out at the distance;
Sharp eyes for that distance too, eyes that could discern
Minutest detail and degrees of difference of qualities
Unseen by fellow creatures;
Uncreaturely creation of meaning and surprise
From out of the cranium like yarn
From a spinning wheel;
Slit of the mouth opening wide, showing the teeth
Or staying slit and grinning like stupidity itself
At the lack of a course to take
Through the mossy paths of history;
Fingers that point or fingers that play unanchored notes
On the piano of time, bowing before the show is done,
Tilting the ears, those precious holes
Towards the empty auditorium
Where no one is applauding,
The seats are empty, all of them, not a ticket was sold.
We were told to be hopeful yet, to not give up or give in
Just yet, to have patience for the unendurable,
But there was only one among us who could stand
Bipedal, mouth agape just a bit, fingers pointing
But not in accusation
Toward the hopeless hopefulness of the horizon:
He was neither elderly nor young but somewhere in between,
He seemed as full of youth as he was
Full of old age,
As full of wisdom and insight as he was
Full of the ignorance of a damaged or undeveloped brain.
He said And this is only the beginning,
a long first chapter of a first part,
Of everything falling apart, the start of a long untellable tale
Of when things stall on their course, or depart away
From the course they had been taking,
Or like a deranged cart mistake the lines of the track
For a circle and take the curve round and round.
Part two, he said, will be just as long,
We will have trouble finding singers for the broken song,
Whether they are dead or their voices cracked,
Our choir-benches will always be slow-fillers,
Our unpaid conductor will go home every night
To tell his husband how terrible it all is,
Waving his hands to the silence. And it will go on
And on it will go on and on it will go
On and on like so, some of us alive still, outside
of where the music is happening, will
Try to go back to former times where meaning was
Thick but cruel, who cares,
Others of us will be more daring and, without the least vision,
Throw ourselves into newness like children thrown into the world
Without the slightest vision, without even being asked
About vision or expectation or particular fears or worries
The trip might inspire, what considerations
He or she, or the genderless one
Would like to express.
Then there are the last, and this is still the second part
Of many parts to come, and each just as long
As the one preceding it or needlessly, cruelly longer,
The last who attempt something altogether different,
Though they are neither stronger nor more quick-witted
than the other experimenters before them:
They will stop
Looking for meaning altogether,
That sun will set for them,
They will watch that sunset,
The colors and how they fade away in brilliance,
All together this last band of the second part,
Its chapters alone filled with epics and short and long dramas
stacked upon one another in layers,
They will stand like old animals used to standing
And look out
But for nothing, or at least they won’t ask of it
That it be something, or anything saving,
A healing balm for everything;
They will look out with a grin on their mouths
As though they know nothing,
As though they never wanted to know....
Keep in mind that this is only the second part of endlessness,
The man said this and stuttered on
That we are not finished yet, that there is more to come,
Some of it devastating and some of it tolerable,
Some of it with such obvious joy,
But there will be a long time of it,
Endless rounds of the same, and the same as different
And the different as the same and leveled down,
Rounds tracing over rounds
Where, though we wish for the static,
some dramatic resolution where the eyes may see every detail, its details are always all jumbled together
By con-fusion, and meaning too,
We gawked and shook our heads and sighed and understood and some of us sorrowed and some of us rejoiced and some of us made as though to kill ourselves and some of us felt for once healthy and sure of the days and some of us were racked with guilt and some of us were spoiled and, alert now like one who loves a sequel, even if it wraps the first installment
of gold in crinkled tinfoil, even if it defames the past,
Listened on to the man with his fairyless tale, enrapt.
A human being-question chasing after both God and nothingness. The internet is a disaster, but our starlessness might teach us something. I welcome our constant experimenting with ourselves with open arms, for ultimately they are attempts of life at living and growing in life. My dwelling is in Key West, while the dwellings of my loves are Indiana, New Mexico, Texas, Massachusetts and Arizona. These spaces are nothing. Love abides and love embraces.
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